The Dodo Blog

In the last couple of weeks, we’ve been talking about different ways to make a fine and flexible.

We started by using only Merino wool. In the next sample we worked with Merino wool mixed with viscose fiber. And today I’m going to make a sample that’s going to be useful to compare with the one we did last week, the one with viscose.

What I’m going to do is I’ll be using the same template, 4 g of Merino wool, plus a piece of chiffon silk.

We’ll start by felting the sample and, when it’s ready, we’ll see how it compares to the previous two.

Make sure you stay until the end to be able to see the differences between the 3 samples. And, if you haven’t yet, go and watch the previous videos:

• How to avoid stiff felt
• A detailed tutorial on how to make fine and flexible felt
• A second method to make fine and flexible felt

This was a very complete series, and we’ve covered not only how to make a fine and flexible felt, but also how to add viscose fiber to your wool and, actually, how t...

In the last video, we had a look at how we can create a fine and flexible felt using only Merino wool. And today we’re going to see what happens when we add viscose fiber to our fine Merino.

For our experiment to make sense, we’re going to use the same 30cm x 30cm template and we’re also going to use 6g of fiber.

If you can remember, in the last video we used 6g of Merino to create our sample. And what we’re going to do today is use 6g of fiber again, but we’re going to have 4g of wool and 2g of viscose. Ok?

If you’d like to do this sample with me, get your materials, and just follow the instructions in the video.

Be sure to check out the differences between the two samples: the one made with only Merino, and the one where I added the viscose.

And if you’re not very familiar with the type of layout I use in this video (chevron layout), you can download a PDF with all the details about all the main layouts used in wet felting here.

I’ll see you next week, when we go through the th...

So you had a look at the program, and now you’re thinking “Yes, one technique a month. But what do we really felt inside THE DODO HUB?”

I get that it may not be totally clear to you, so let me help you with that.

First, above there's a short video of some of the beautiful pieces made by the participants in the first months of THE DODO HUB to show you what you’ll be working on.

I want you to feel supported and that you’re in the right place, no matter where you are on your felting journey. So, THE DODO HUB adapts to the students and not the other way around.

Let me show you how, based on the example of module #1, Geometric Patterns. It’s planned like this:

• Week 1: Making samples (experiment with different techniques)
• Week 2: Making a bag (applying the techniques in 3D)
• Week 3: Making a rug (in Nomad technique)
• Week 4: Main takeaways + develop your own project

You can approach this module (or any other module) any way you want:

• Follow the suggested sequence in one month o
...

When we start wet felting, there is so much to learn about the many techniques that fit under this wider umbrella, that this alone can be enough for felt makers to focus on, without ever taking a deep dive into the attributes of the fibers from different sheep breeds.

So, often it’s people who have sheep or who live in rural areas, who – early in the process – start looking at how to use the wool of local breeds in their felting, as a way to take advantage of what’s available in their closest environment.

For those of us who live in cities, it’s impractical (or even unthinkable) to buy raw wool, clean it in the bathtub, and do all the processing in an apartment. So, we resort to buying processed wool from suppliers, and so are restricted to the available breeds.

Like me, you may very well be in this second group of felt makers. And, if you are – like me – you probably haven’t spent much time looking at the incredible number of different wool types that are available throughout the w...

If you were among the people who read last week’s post about the book “Schafwolle verarbeiten” and thought: “Ya, looks great, Vanda. But what will I do with a book in German?”, I’ve got you covered.

I’ve just received another book on wool I had ordered recently. This time in English. And I can assure you – if you’re keen on learning more about animal fibers – it’s a great investment as well.

“The Fleece & Fiber Sourcebook” is authored by Deborah Robson & Carol Ekarius, and it first came out in 2011.

It’s not a felting book per se. Rather, it completely focuses on fiber and actually covers 200+ animals.

Here’s its description for more detail:

“This one-of-a-kind photographic encyclopedia features more than 200 animals and the fibers they produce. It covers almost every sheep breed in the world from the longwool breeds of the United Kingdom to the Tasmanian merino, the Navajo churro, the northern European Faroese, and dozens and dozens more. It also includes goats, camelids (such ...

I love experimenting, but I must admit that in one area of wet felting I’ve been pretty conservative. In over 20 years of felt making, I have only worked with wool from 2 breeds: Merino and Bergschaf.

So, both for my own growth, as well as to help my students with their questions, I’ve been having this feeling that it’s time to explore other wool types.

But, because – like so many other felt makers – I tend to be a wool collector 😊, I thought this time it would make sense to read about the topic and see which breeds may eventually be interesting, before I start buying more fiber.

Some time ago, I came across images of a new book that covers the topic. I finally decided to order it, and I’m so happy I did. This book really exceeded my expectations. It’s far better and more complete than I thought it would be.

The book I’m talking about is “Schafwolle verarbeiten: Schafrassen, Wollkunde, Filzen, Spinnen“, by the authors Margit Röhm, Katrin Sonnemann and Ulrike Claβen-Büttner. It was ...

You may know that for many years I’ve had a list of suppliers for wool and wet felting equipment that I offer in my courses and as a download on my website. It’s based on my own experience buying wool online, as well as on recommendations from students and followers.

Whether new felt makers email me with the questions or they post them in online forums, I’ve often realized that for many it isn’t clear where to buy felting supplies. So, I created this free guide with two goals: 1) to help you decide among the available suppliers, and 2) to give you a list of recommended suppliers as close as possible to where you live.

But things change rapidly, and I hadn’t updated it for quite some time. When someone emailed me to tell me that a couple of businesses had closed, I thought it was about time I reviewed it and published an updated version.

I asked for the feedback of people who read my newsletter and had an incredible number of responses. As a result, the supplier list has now grown co...

I’m working on a new class that is meant to help felt makers go all the way (smoothly) from total beginner to intermediate. If you’ve recently started wet felting or you’ve been felting for a while, but still feel like there are many gaps in your knowledge, this may be for you.

But I’ll need some time until I can offer it, since I haven’t created it yet. I’m working on the class outline for now. And I’d like to invite you to participate in the creation of the class materials. Just click here or on the image below to access the list of topics. Please let me know which ones are important to you and what you think may still be missing.

Just a last note: I’m considering an intermediate felter, someone who knows all the fundamentals, and is able to confidently felt on a resist, knows how to add fiber, fabric and other materials for embellishment and texture. All this while achieving high quality felt.

Thank you for taking a moment to answer the questions! To show you my appreciation for ...

In 20 years of felt making I haven’t (yet!) had any issues with moths. It may just have been luck or because of the way I store my wool. It’s definitely not because I don’t have tons of wool in my studio 😊

Since I frequently get questions about how I store my wool, as well as how to prevent moth attacks, I’ve compiled what I know and what I could find from different sources to offer you information that hopefully can protect your stash from these pesky little fiber predators.

A SHORT WORD ON THE LITTLE CREATURES

There are many types of moths, and most of them are harmless for wool. So, as most felt makers know, we’re talking about the so called “clothes moths” here.

Moths go through four life stages: egg, larva, pupa, and adult. But it’s only in the larvae stage that they feed on fiber.

Keratin is what they’re after. This is a protein found in animal-based materials like wool, fur, hair, feathers, mohair, and even silk. If these materials are stained with food, perspiration, or...

Today I’m going to talk about how to felt with wool batts. And I’m looking into a couple of questions in particular:

• Is there a direction to the fiber in wool batts?
• Do wool batts shrink as much as wool tops?

I know there are different opinions about the direction of the fiber in wool batts. So, I thought it would make sense to test it and see what happens.

While I’ve been working with batts for a very long time, I’ve always mixed them with tops in my work. So, I had never really looked into this in detail.

Adding to that, I often get questions about how to work with batts. That’s why I decided to make these samples and see how the wool behaves.

I hope you find them useful for your work. I’d also love to know if you agree with me or not.

So, feel free to comment or to drop me an email on this.