WHAT ARE RESISTS?
By definition, a resist is anything you use between two pieces of wool to prevent that they felt with each other. In other words, you need to use a resist when you want to make a hollow object.
Only after the flat piece is created can you shape it into a 3D object. So, if you want to felt a 3D piece, your first step is to imagine how you will go from 2D to 3D.
The resist is only used during the felting process. When the wool starts shrinking, the resist starts curling up inside, and it must be removed. This is usually the moment when you initiate the fulling process.
You can have a resist:
MATERIALS FOR RESISTS
One of the most important things when using a resist is the choice of materials.
It has to be something that doesn’t felt onto wool, otherwise it’ll attach to the layers, instead of doing its job, which is to separate...
We know that the amount of shrinkage in wet felting depends on many variables. Among the most important are:
So, the only way to know what your results will be is to make samples before beginning a project, unless you always work with the same wool type, so you get to know very well how it behaves.
After you’ve...
I’m really excited about this week’s topic because I find there aren’t many wet felters exploring it. And that’s the usage of batts for wet felting.
Batts are more commonly used in needle felting, but they’re definetely worth exploring in wet felting too.
When applied right, batts can:
Also, if you're open to wet felting with batts as well as tops, you'll have a wider choice in colors, since often suppliers have a different color palett for batts and tops. And, in my experience, they produce a felt that is a bit different from the one made with tops: less shiny but smoother.
These are 3 new lessons about 3 different ways to lay wool batts, when to use them, as well as the advantages of working with them.
So, if this is something that sparks interest for you, you can access this week’s lessons by signing up for the ...
Yes! That's right. I've been working on a free felting membership and it's now available for you to enjoy :)
You see, I’ve been blogging and vlogging about wet felting for over a decade. And what I’ve noticed is that in those formats, it’s easy to lose track of what I’ve already covered since the information is scattered everywhere.
I also wanted a place where you could ask me questions in a way that other felters could also benefit from the answers. So, after considering the pros and cons of the different platforms, I decided this would be the best way to have everything under the same roof.
It's called The Dodo Sandbox because it's a place for you to play, experiment and grow your felting skills :)
The membership area is divided into the “core training” and different chapters or modules, each dedicated to a different topic. When you enter the members’ area, that’s exactly what you see.
Of course, I’ll be creating new...
Just wanted to let you know you can enroll for the Wet Felted Hats Masterclass from May 15th to May 19th.
The course will start May 22nd and will have a duration of 8 weeks.
If you've been wanting to improve your hat felting skills, stay tuned for the details tomorrow :)
Talk soon!
Vanda
As you might know, I created a new course recently: the Wet Felted Hats Masterclass for all of you who’d like to refine your hat making skills.
There was a first edition in February/March, which I launched as a test course. I had built a base structure and invited people to join as Founding Members to help me fully develop the best class possible. So, it grew considerably, since I added new modules, videos and other resources. And now it’s ready for the second edition.
The enrollment will start in a few days, so I wanted to let you know what the Masterclass now looks like.
This next edition will include a total of 9 modules, walking you through:
After nearly 4 weeks of the Wet Felted Hats Masterclass, the course has grown considerably.
I’ve been creating short online felting courses since 2016 but planning a masterclass with the goal to cover all the possible challenges you might have when felting a classic hat, drawing patterns with the right measures, and expanding beyond the hats in the course is an entirely different story.
In short, I had never done anything this big. So, I knew it would be a challenge for me. But I love challenges…
This is also the reason it made sense to make it a sort of a “trial” edition: the members invest considerably less than they would in the regular edition, and they get to help me finish building the course. And they know they had a big role to play in the final product.
I have to admit I felt a bit nervous at first. I’m a perfectionist, so I don’t feel comfortable delivering an “unfinished” product. But I’m so happy I decided to do...
As I have been talking about for some time, I’m working on a masterclass about hats.
Deciding what hats to teach about was a hard task. It’s a topic that really allows you to explore your creativity. There’s no end to what you can do with felted hats. But I decided to go for the classics. I bet I’ll come back to the hats subject to explore it further, but the classics are a great way to start. They give you the basics that you can build upon later.
So, that means I’ve been working on the following hat types: the beret (of course), the cloche (also fundamental), the fedora (an imperative), the bowler and the floppy wide brim hat. I’m really excited about this masterclass and I’m having trouble keeping quiet about this
So, I wanted to show you some photos of the finished pieces.
One pattern, three hats
The Fedora
The Cloche
The Bowler
I’ve already filmed the part of the...
Hi!
Here’s the third part of my answer to your question:
“What are resists and how do you use them?”
If you haven’t watched parts I and II, go and check them out. You can find the links below.
SO WHAT ELSE SHOULD YOU CONSIDER WHEN DESIGNING A RESIST?
You probably already know that wool can actually shrink a lot when wet felted, right?
Like even 30 or 40%, depending on the wool type and how thick your layers are or how you lay the fibers.
So, when designing a resist, you have to plan for this shrinkage.
If you’re making a bag or any other object where the size doesn’t have to be very precise, you can make your resist and start felting.
But if you want to make a hat or a pair of shoes, then you want to get the RIGHT size, right?
In that case, start by making a sample with the wool you’ll be working with and lay it in the way and with the thickness you’re planning for your piece.
From this sample you can see how much the wool shrinks, so...
Hi!
Today I’m here with the second part of my answer to your question:
“What are resists and how do you use them?”
If you haven’t watched part I, go and check it out. You can find the link below.
SO WHAT MATERIALS CAN WE USE FOR A RESIST?
One of the most important things when using a resist is the CHOICE OF MATERIALS.
It has to be something that doesn’t felt onto wool, otherwise it’ll remain stuck between the layers, instead of doing its job, which is to SEPARATE them.
It should also be flexible enough to work with.
The 3 main materials used are cardboard, thin plastic and floor underlayment.
CARDBOARD is not something I use, because we work with water, so you can only use it once. It’s also not very malleable, so it’s a bit hard to work with.
THIN PLASTIC is something I use sometimes. It’s malleable but it’s hard to feel through a thick piece of felt. So, I only use it when I’m felting thin pieces.
FLOOR UNDERLAYMENT...
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